Craft & Vinyl - #YouBelongHere

Krzysztof Meisinger writes of his new release: "When I was asked to write an introduction to my début album for Chandos, I wondered for a long time what it should be about. My artistic path? The key to the program selection for the album? Or maybe my subjective description of the pieces I have recorded? I decided to explain in a few words my relationship with the guitar - a difficult relationship, full of passion, but also of doubts. It all started with delight. The guitar has always been a magical instrument to me. While playing, the musician is in direct contact with the string and the sound. The players, these 'magicians', whose recordings fascinated me at the beginning of my musical education were Andrés Segovia and Julian Bream. Thanks to them, I understood that the guitar is the instrument of my life, and that it is to it's kind that I want to devote my artistic energies. A little time later, I started to notice some imperfections, which made me ask different questions. Why is the guitar repertoire so small, when you compare it to that of other concert instruments? Why is the guitar not able to convey all those emotions which I want to express? It took me some time looking before I came upon the answer. And the answer was this: to turn all those 'disadvantages' into virtues. After all, a guitar cannot be pretentious. It is what it is, a guitar -an intimate, sublime, beautiful instrument... It is the most honest mirror of the musician. It reaches the deepest corners of the soul, and allows both the performer and the listener to touch heaven in a nasty world."
Krzysztof Meisinger writes of his new release: "When I was asked to write an introduction to my début album for Chandos, I wondered for a long time what it should be about. My artistic path? The key to the program selection for the album? Or maybe my subjective description of the pieces I have recorded? I decided to explain in a few words my relationship with the guitar - a difficult relationship, full of passion, but also of doubts. It all started with delight. The guitar has always been a magical instrument to me. While playing, the musician is in direct contact with the string and the sound. The players, these 'magicians', whose recordings fascinated me at the beginning of my musical education were Andrés Segovia and Julian Bream. Thanks to them, I understood that the guitar is the instrument of my life, and that it is to it's kind that I want to devote my artistic energies. A little time later, I started to notice some imperfections, which made me ask different questions. Why is the guitar repertoire so small, when you compare it to that of other concert instruments? Why is the guitar not able to convey all those emotions which I want to express? It took me some time looking before I came upon the answer. And the answer was this: to turn all those 'disadvantages' into virtues. After all, a guitar cannot be pretentious. It is what it is, a guitar -an intimate, sublime, beautiful instrument... It is the most honest mirror of the musician. It reaches the deepest corners of the soul, and allows both the performer and the listener to touch heaven in a nasty world."
095115222522

Details

Format: CD
Label: CHANDOS
Rel. Date: 10/01/2021
UPC: 095115222522

Elogio De La Guitarra
Artist: Castelnuovo-Tedesco / Meisinger
Format: CD
New: Not in stock
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Krzysztof Meisinger writes of his new release: "When I was asked to write an introduction to my début album for Chandos, I wondered for a long time what it should be about. My artistic path? The key to the program selection for the album? Or maybe my subjective description of the pieces I have recorded? I decided to explain in a few words my relationship with the guitar - a difficult relationship, full of passion, but also of doubts. It all started with delight. The guitar has always been a magical instrument to me. While playing, the musician is in direct contact with the string and the sound. The players, these 'magicians', whose recordings fascinated me at the beginning of my musical education were Andrés Segovia and Julian Bream. Thanks to them, I understood that the guitar is the instrument of my life, and that it is to it's kind that I want to devote my artistic energies. A little time later, I started to notice some imperfections, which made me ask different questions. Why is the guitar repertoire so small, when you compare it to that of other concert instruments? Why is the guitar not able to convey all those emotions which I want to express? It took me some time looking before I came upon the answer. And the answer was this: to turn all those 'disadvantages' into virtues. After all, a guitar cannot be pretentious. It is what it is, a guitar -an intimate, sublime, beautiful instrument... It is the most honest mirror of the musician. It reaches the deepest corners of the soul, and allows both the performer and the listener to touch heaven in a nasty world."

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